Linear Transformations
A colourful series of mathematical games and puzzles, tracing the body's path through multiple dimensions and numerical patterns. For Leonard Carlitz, mathematician (1907-1999)—with love.
- Natasha Carlitz
- 11 times
- 8
choreographed for High Release Dance

- Solid Geometry: IQ, "Nostalgia" & "Falling Apart at the Seams"
- Matrix Theory: Genesis, "The Brazilian"
- Fibonacci: California Guitar Trio, "Walk Don't Run" (Johnny Smith)
- Finite Fields: Yes, "Silent Spring" & "Endless Dream"
| Date | Programme | Venue |
|---|---|---|
| September 2025 | SpARC Fest | Mexican Heritage Plaza, San Jose |
| July 2016 | Rock the Garden / 5-Hour Sculpture: A Pop-Up Arts Festival | Villa Montalvo, Saratoga |
| October 2014 | Momentum | Cowell Theater, San Francisco |
| June 2014 | Momentum preview | Dance Mission Theater, San Francisco |
| May 2010 | Mark Foehringer's Dancing in the Park | Golden Gate Park, San Francisco |
| January 2010 | Natasha Carlitz Dance Ensemble Season | Cowell Theater, San Francisco |
| September 2002 | Linear Transformations: The Choreography of Natasha Carlitz 1998-2002 | San Jose City College |
| November 2001 | DanceVisions' Points of View | DanceVisions, Palo Alto |
| June 2001 | High Release Dance in Concert | Cubberley Theatre, Palo Alto |
| January 2001 | San Jose City College Choreographers' Collective | San Jose City College |
| January 2000 | San Jose City College Choreographers' Collective | San Jose City College |

Chromatic Suite
Numbers and colours parade in infinite variety and intricate designs

Chroma
Vibrations and psychedelic geometry, inspired by "Planetary Folklore (Participations)" from 1969, a set of magnets designed by Victor Vasarely (the "father of op art") that the viewer can reconfigure into endless new versions of the artwork

Float
Alternately serene and jagged, movement through space patterned after Alexander Calder's mobile "Maripose" from 1960

Square Dance
Geometry, form, negative space, based on Piet Mondrian's "Composition with red, blue and yellow, 1942"